The Cult of Mac. That was wild, but people go through phases. As the years have gone by and the venues he plays have continued to increase in size, Mac has responded not by becoming more outrageous but by mellowing out.
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A giant crowd? There was the [Calgary] Stampede, and people did cowboy activities, and there were themed-bars. Jocks who wanted to call me a profanity and kick my ass. So for a long time it had a very negative connotation for me. Mac enjoys toying with and then confounding expectations, so it should be no surprise that the titular cowboy really signifies nothing. Is it funny?
Is it strange and jarring? Who is this cowboy?
Where the fuck is he coming from? What is he doing? I love that! For this record he had touring keyboardist Alec Meen lay down some music, but something was never quite the same. I have a problem with needing things to be perfectly shitty. What the fuck? This material is listless.
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The guitars sound slightly out of tune and the keyboards sound dated and similarly off-key as if someone is trying to murder a vintage Casio. In other words, this is not the 70s-style pop gold it aims to emulate.
Live Review: Mac DeMarco, The Forum, London | HuffPost UK
He barely ever goes above a whisper or a nasally coo as he sings the most basic of love songs. Why is this so popular? Plus the hook is extremely smooth. This material is listless.
The guitars sound slightly out of tune and the keyboards sound dated and similarly off-key as if someone is trying to murder a vintage Casio. In other words, this is not the 70s-style pop gold it aims to emulate. He barely ever goes above a whisper or a nasally coo as he sings the most basic of love songs. Why is this so popular?
Why does he have such a devoted fan-base? This is also not an album. It is a minute EP priced like a full-length album. And even at 23 minutes, it has some undeniable filler. Such a track definitely would fit as a better closer if this album were over fifty minutes, but the fact that this lame experiment is put on the end of this album to make the album more than 20 minutes is just insulting. His formula to some degree is working. There is extremely little to like here. Still this song has a slight retro cohesiveness thanks to its synth chording. Wolfe finds beauty in dissonance. One can imagine hearing new sounds deep within the mix twenty listens in.
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Chelsea Wolfe is one of those artists who definitely charts her own path without taking anything close to the easy route. This visceral, often stunning collection packs quite a lot of intensity. If you love melodic albums with thick guitar-work and pummeling drums, this is definitely your album.
Until the guitars fuzz things up and gloriously break the silence. When the song goes full-throttle, she belts out a soulful chorus. Again, Cat Power comes up as an apt comparison. In spite of the heavy synths it still maintains a rootsy core. When that section comes back in, it creates some nice tension.
Missed last week's? All rights reserved. What Mac DeMarco and his accompanying three-piece band do offer these days, however, is more mature songwriting, carefree vibes, and an engaging live set. While the gap-toothed, Viceroy-smoking man born Vernor Winfield McBriare Smith IV, who participated in medical experiments for money just three years ago, clearly has a puerile side, he clearly wants his music to be taken more seriously. The set is filled with what DeMarco calls "jizz-jazz" - his term for the melodic mix of jazz, folk and pop - taking from 's 2 and this year's release Salad Days.
Feel good, sun-drizzled beats have the loose and lairy crowd bopping, while the band's penchant for classic rock is obvious, as moments evoke Lynyrd Skynyrd, and later Spinal Tap, when the band cover the Top Gun theme tune for what felt like an age.
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Despite a very plain light show, the grooves rolled, the loose guitar solos charmed, and 'Blue Boy' warbled along like the best of Connan Mockasin. DeMarco's deep croons punctuated by scream-yelps were followed every step of the way by an adoring crowd, and it's clear that his personality was the main draw.
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